Wednesday, September 9, 2009

This Is Hardcore fest 2009: the review.

Figured today was a good day to add some more posts that I have lying around. Originally posted on the LOC, 8-18-09 & 8-19-09.

DAY ONE:
This was a total last minute decision on my part. Mer and Sausage's girlfriend Caitlin basically brow beat me into it so that they could hang out at the SFU table together all weekend (I'm not one to turn down pretty women, what can I say). Garvey tipped it over the scales by offering us a spot in a 4 star hotel suite 5 minutes from the fest with him, Red Sox Jess, and Stef. A 24 hour gym and a pool were specifically mentioned to get me to sign on, and I was very definite that THOSE were the reasons I was going. My plan was this: Go down Friday night, wake up and swim, go see Rival Mob, go back and swim, go see Floorpunch, eat a cheese steak, go work out, sleep, wake up and swim, eat a cheese steak go to the fest around 5 to catch Wisdom in Chains and Reach The Sky, leave and go home. That plan was thrown entirely out the window, and I'm actually really glad it was. There were some minor annoyances with the hotel situation (you had to pay to park, there were an additional 4 people staying in the room that Garvey failed to mention- tho they were all chill, and I still got a bed it just made shit overly chaotic, etc. Nothing gig related).

So going down Friday night was a piece of cake. Got there in an easy breezy 2 hour ride, and got to the hotel right as everyone was getting there from Suicide File ending (I would have liked to see them, but it would have meant a lot of traffic, and when I went to get tickets the three day passes and Friday tickets were all sold out, so I only did Saturday and Sunday, which was a good move since they sold out before Friday was even over. Yes, I paid for a show. Shocking, I know). Pretty much went straight to bed so that we could wake up early for the continental breakfast.

There was no continental breakfast. It was a 15 dollar buffet.

Went swimming for about 2 hours, then decided to walk to the show. Took about 30 minutes, pretty easy, and the fun thing about Philly is that the schizo homeless people will relentlessly badger you for blocks in broad daylight. Example: we stopped in at a Wawa to get waters and lunch, and this 3 foot tall batshit insane lady comes wandering up to us while we're eating outside...

"Can you help me out?"
Garvey- "Probably not."
(to Mer) "Can you help me out?"
*Mer ignores her*
"It's your own fault. Stop complaining. Stop complaining."

Fortunately, she walked away after about the 5th repetition of this, as Mer's Sketchy face was on and things were about to get very ugly in broad daylight. Mer then proceeded to complain about the harassment all weekend. Precognitive homeless women. Fuckin' Philly.

Took about 30 minutes to get over to the show, but unfortunately we got there at about 2:39, and the Mob was already done. Their set time had been scheduled for 2:30. The show was running AHEAD of schedule. My mind was blown. Talk about awesome. Also awesome, the fact that Joe released this to the internet ahead of time:


Fucking awesome. All I had to do to know what was going on was just look at my phone, and was how I had come up with my schedule for the weekend. A schedule that I ended up completely abandoning. And please note the presence of an intermission. Such a great idea (tho apparently only brought on by Cruel Hand dropping off).

With nothing else to do and plenty of time to go back and swim before FP, we went in and camped out at the Six Feet Under table, which is where we ended up for the duration. It was def 1000 degrees in there, I was drenched in seconds. The plan was to watch The Killer and Convicted, then go eat lunch and go back to swim. This was kiboshed because of the following:

1. I was leaked word of a special guest before Cold World.

2. Greg Mongo asked me to stay for Mongoloids, because he was nervous as hell about playing a high profile hc gig with the new line up after all the internet scandal. I had no problem with this, and since the hotel was so close by car, it still left time to swim.

So that really didn't make it worthwhile to go back to the hotel, as it would have ended up only being about 30 minutes of swimming time. And with things running ahead of schedule, and my having no intention of seeing VOD, there would still be time to swim after.

The Killer and Convicted both sounded good, I was actually kind of surprised that The Killer played before Convicted. I won't lie tho, I wasn't really paying much attention to the either as I was busy hitting up the FP merch booth and getting the low down on the secret merch.

We then went to lunch. What Mer and I hadn't been told was that Stef and Jess had already decided that we were going to this place called THE SPAGHETTI WAREHOUSE that was behind the show. Because on a super hot day in a super hot show, you want to go load up on hot plates of starchy carbs. Suffice to say, we watched them eat while enjoying large glasses of water.

Hung outside after that and had a long talk with Greg about the latest in Mongo scandals and how he should deal with it onstage. He also said that TDT had made shirts with his face on them, with his mouth stuffed full of money, that said The Mongoloid and "Is anybody stealing me" on the back, and that those shirts had mysteriously vanished from TDT. Interesting.


Went in for the Mongoloids, Greg had had nothing to worry about. His new line up was tight as all hell, and kids went bat shit. First words out of his mouth were "there's been a lot of talk about us on the internet... and it's all true", ha ha ha. Somehow Todd Pollock ended up with the mic for the last song, and broke his hand trying to keep his balance while being piled on. I am 99% sure he was back on stage taking pictures within 2 bands, and was there on Sunday with a giant cast.

Went back outside after, where we bumped into Steve Bush, Porter, Rifkin and co, who Bushy was leading up the street to a block party. Tho we initially declined in order to go for our own walk to find a non-pasta meal, there was literally nothing else around the show, and we ended up right at the block party. Which was off the HOOK. People on the roofs of the buildings, free Red Bull (Jay Bush also said there was free food, tho we never saw it), a whole lot of people jumping up and down and basically raving in the street and doing the whole "the roof, the roof, the roof is on fire" chant, some woman walked up to us offering up sips from a little tiny bubble bottle of moonshine... just amazing ridiculousness. So much fun, and we weren't even doing anything, just watching hipsters and hoodrats get down. Rad as it was, we all peaced back to the show after a little bit because no one wanted to miss the special guest.

(while we were gone we missed Pulling Teeth close with two Ink and Dagger covers)

We got back way earlier than intended, as Slumlords were just going on when we got back. I've never been into them, as seeing Perlin sing joke songs about walking the dog and male pattern baldness just doesn't hold my interest the way Perlin singing songs about watching a street fight while eating a Big Mac does, but they did do a completely serious cover of Rock You Like A Hurricane from start to finish that was pretty incredible (and got a great crowd reaction).

It was time for Cold World after that, which meant it was time for the special guest. Dan got on stage, took the mic, said "We're Cold World... and this is CLUBBER LANG" and handed the mic off to Cooper for Varsity Violence and Execution Style. You bet I was moshing (and it was a perfect set for me to do so, because 2 songs is about all my back and I can stand these days). All the old dudes sent the kids who were up front for CW packing. Joe HC moshed so hard his shoes came off. After that all the old men (including myself) vanished so the kids could have their fun.

CW got a great response, it looked really nuts up there. And yes, Scace flew in for another 24 hours so he could gig. Joe was grading stage dives, he literally had score cards that he would hold up after each dive. "Holy shit", "Worst Stage Dive Ever", "-2", "9", and I think maybe one other. He would also lean over the bad divers and berate them. Just his reactions to the stage dives in general were a highlight of the weekend. So many looks, ranging from disgust to awe to exasperation. That dude Chris NASE who's been rolling with CW was doing INCREDIBLE front flips and getting all "Holy Shit" ratings, like full flips done with 3 feet of air between him and the crowd. Near the end someone either kicked them out of Joe's hands or grabbed them as they went, effectively killing the gag for the rest of the fest, but it was fun while it lasted. George did his part in Dedicated..., and Dr Dan from Lifetime came out and did Greg's part from the 7 inch (I think, it's been awhile since I've listened to CW on record).

It was finally time for FP, which meant I was allowed to bust out the secret FP merch, which if you've seen the pick ups thread, you know was the Division One Champs football jerseys. My experience with football jerseys has always been that they run large, so I had grabbed a medium for myself. This may prove to be a mistake, as it fits me like a second skin, and I absolutely could not remove it without help once I started sweating (well, I was already sweating, but you know what I mean). On the plus side, it did make me look like I was moshing in full football pads.
FP kicked things off with Perlin singing All I Ask, then dueting with Porter on Safe In A Crowd. Shit was nuts. Perlin was wearing a diaper on his head for reasons I do not fathom in the slightest.

"He's not raising my kids, he's playing on my football team."- Porter on Michael Vick.:angry:

I have to say this was the "worst" of the FP reunions I've seen (keeping in mind of course that a bad FP set is better than most bands best). Everything was going great, and then they give the mic to Brett Beach for the first half of Keep It Clear. And all due respect to Brett, but it didn't sound good. He seemed really nervous, and pretty much just talked the lyrics. Things kind of never picked up again after that, and the set kind of ended with a whimper (everyone had thought True Colors was the last song, and then they went back to do Gonna Get Yours, to a minimal response). Zusi said on the LWB that they cut it short cuz Porter couldn't breathe due to the heat, and I believe it. It was deathly hot in there.

Like I'm going to stay and watch VOD in 2009. Shit, I wouldn't even have watched them in 1996, even tho I like that song Suffer (which I'm told is the only old song they even played). We got picked up by Jana, went back to the hotel and swam, then hit up Pat's for cheese steaks (I wasn't impressed).

DAY TWO:
So the initial plan of get everything together, go get food, go back to the hotel and go to the pool while Garvey checked us out and then let him back in so we could all swim until we wanted to head to the show was shot down by too many girls doing too much applying of make up and flat ironing of hair for too long a time. So we ended up going straight from checkout to food. No swimming. Lame.

With nothing else to do, we ended up at the show pretty much right at the start. I think we missed the first band, and Braindead was setting up as we got in. It was already ridiculously hot, but fortunately we had had dressed for it- Mer wore her Rampage sports bra in lieu of a shirt, and I wore a bathing suit. Because said bathing suit had no pockets, I paired it with the fanny pack I wear to the gym. We still ended up drenched in sweat all day, but it was a vast improvement.

Braindead played every style of hardcore. And by that I mean each song sounded like a different band. I wasn't impressed.

Naysayer was next. My friend Jaycox (see minute 1:05 of the video below) had told me the day before to be sure to be there, I had told him I couldn't guarantee anything. Boy would I have been bummed out if I had actually missed them. 3rd band of the day, getting what, given the amount of people inside at the time, could be considered a headlining band's reaction. It actually got me incredibly psyched.

Mer and I went for a little walk during the Carrier, so I don't know how that was. I'm told the singer projectile vomited. Coke Bust went in one ear and out the other.

We actually paid attention to Foundation, as we had been hanging out with their roadie Stan and his wife at the SFU table both days (it turns out I had actually met Stan before, as he was the guy who got hit with the chain during Dump Truck at Posi Numbers when it got thrown into the crowd). They were alright, perfectly acceptable heavy 90s core.

Shout outs to the SFU records table ladies crew.
I had once again been let in on another special guest happening before Let Down, so I went up front. Turns out, the special guest was actually happening in the middle of Let Down's set, and I got crushed as a wave of violent face punching sent the crowd towards the sides of the room. Bob didn't do any of the shenanigans he's become internet famous for, but it was still sick, I'd never seen them before and it made me want to see them again. Too bad it was their last show.

Halfway through the set, Sausage gets onstage and takes the bass, and Ryan DM takes the mic. Never Enough Time. Moving On. Times You Share. Almost nothing but brand name dudes moshing. I would actually describe the reaction as subdued, which isn't what I expected. Almost no diving, as there was never really more than one row of kids up front singing along for the most part (Joe HC seemed very disappointed by this, but most of the time he was freaking out with a huge smile on his face). Does this count as a DM reunion? Probably not, and I'm sure those LOJ dudes are pissed that people are talking about it like it was. But fuck it, I thought it was fun and awesome and it sounded tight.

Let Down finished up after that. I went and chilled out at the table (well, chilled may be the wrong word given the temperature) for the rest of their set and for Brace War (who if memory serves intro'd with Pledge Your Allegiance by Suicidal Tendencies).

Joe then took the stage to deliver a speech thanking every one for coming out, and explaining that he considers putting on TIH every year part of his penance for all the bad things he's done. It was really sincere and actually pretty touching. He then intro'd Trapped Under Ice, and the place EXPLODED. Like, it looked like that Sick Of It All video from the Ritz in 1991, only with stage diving. Absolutely positively THE set of the day, possibly the entire weekend (I'm told Suicide File was a sight to behold, but I wasn't there). At one point a um... larger girl got on stage to dive, and nearly caught a bass to the face, and dodging it nearly made her fall right off the stage onto her head. Fortunately Joe was there to grab her and direct her off the stage. Apparently she argued over it, because he had to take the mic and explain to everyone that they haven't been grabbing divers and making them get off the stage to be dicks, but because they don't want them diving when there's no one there to catch them, and don't want them breaking their necks. "We will NOT be sued because you did something stupid."

Wisdom In Chains was on next, and it was an unfortunate spot for them, because the room was virtually empty. TUI had wiped everybody out. I went up front, but the energy was just weird. They kept it really short, and only the last song got a big response (Land of Kings), seeing as it was all about how awesome Pennsylvania is. So that was sort of a bumout, seeing as they were one of the 4 bands I had originally intended to watch.

I hate Ceremony. Not even going to review it. I drank a lot of water and tuned them out.

Reach The Sky was up. I was completely drained due to the heat so I didn't head up front right away, which meant I got to see Ian have a "senior moment" during the first song (started singing the wrong part, stopped, had to catch up. He later blamed this on "Zac playing the wrong part", but that's not what I heard...). After a couple songs I felt refreshed enough to go up front, just in time for Let Us Be Damned (GREAT mosh part). It wasn't too nuts. Basically the same set as Worcester (did I review that one?). That song that had Rachel Bilson in the video and She Really Loved you got the biggest responses, and were the songs that I was able to get decent dives in on. Lost Glories actually got almost no response, no one packed up front to sing along, not a lot of moshers. I think it was pretty much just me and Garvey and our hair tackling people into the sides. Fun tho, but with the heat and the lack of sleep and food (we hadn't eaten since we left the hotel) I was completely wiped out. I spent almost all of Blacklisted lying flat on my back on the SFU merch bags, pretty much asleep. I think I may have gone up for Eye For An Eye, but at that point the heat had me absolutely shot. So we peaced out (apologies to Bedard).

We picked up the car and paid the parking bill (50 bucks, which when combined with the hotel room and that expensive ass breakfast only brought our total to 90 bucks, which isn't so bad), and then tried to find something to eat. It was a disaster, and we somehow ended up back in front of that same Wawa, with that same precognitive schizo still standing out front. We fled. It was definitely time to leave Philly.

Fortunately on the way home we found a Sonic off the highway, which made everything much, much better (large Cherry limeade, FTW). And once again, we made it home in an easy breezy 2 hours. All in all, an excellent weekend, and an excellent fest. Would go to again.

You can check out videos of every band's set here.

Cheap plug.


Every Friday, I write a column about pro-wrestling for a website called the Inside Pulse. We're coming up on my fourth week, and it's going pretty good so far.

You can check them out here.

Thursday, July 23, 2009

Posi Youth Does Not Riot: the Floorpunch S+F warm up show.


This show was WAY the fuck out there in east bumfuck, so we (myself, Thorns, our friend Michelle) made it a day trip. I picked up a new pair of Nikes for 35.99 at an outlet mall, and Michelle gave me two 24 packs of sugar free Red Bull from her work. We also met Michelle's parents (super nice, but it was awkward) and went to some pizza place with her friends, where the pizza sucked (as Thorns predicted, and while I did not doubt him I did take the hit and eat a piece- and it was a piece, not a slice, because it was that Elio's/microwave pan style shit, not a real pie). The steak sandwich I had was pretty good tho.

We got there right as a Clam and Corn festival was starting up the road, I guess a lot of people ended up held up because of the opening parade. Not that it mattered, the doors were supposed to be at 6 and no one got inside until well after 7... which is when everyone found out that the show had to be over at 9:30. This led to a fun little talk between Cooper, Porter and myself over how much trouble would possibly ensue if the club tried to pull the plug on FP or if the two hick bouncers in their blue jeans and white bandannas tried to rough anybody up. The consensus was that the kids would all just leave quietly (the example Cooper cited was 400 kids just up and leaving a recent 500 person show because 10 Nazis were there). It ended up a non issue, as all the openers played 10 minute sets so FP could play their full set (tho they didn't). More shows should follow this lead.

It wasn't that huge a turn out, but given where the show was and the expectation of it selling out (the club had low balled the kid who booked it on capacity so he tried to do some email your name to guarantee you get in thing, probably kept some people away), I guess that shouldn't be a surprise. I'd say only about a half full venue (good set up tho; stage at one end of the room, with these low fence type things that were good to get on top of the crowd from separating it and the pit area from the bars) but everyone packed in the middle of the room for the bands so it wasn't so bad. What would happen is that everyone would be packed in to sing along, then it would space way out for the mosh parts, and then when the next sing along kicked in all the moshers would run back to the front of the room to pack it in again. Very loosy goosy.

FP are clearly expecting a profitable summer- they had more merch than there were people at the show. Crewnecks, shorts, tank tops, and 2 t-shirt designs. I'm pretty sure everyone there who bought something bought more than one thing (I bought Mer a crewneck and both t-shirts and a crewneck for myself, which is the most merch I've actually paid for since 2000 or 2001), and there were still giant piles behind the table at the end of the show.

I was still outside talking with Porter and Cooper when Force Fed played (it was still nice out, and it was a no re-entry gig), but I'm pretty sure they covered Wolf Pack (DYS Wolf Pack, not NY Wolf Pack).

I spent most of the show crashed out on the Mongos merch bags, as the ride up bothered my back and I wanted to just lie down most of the time. So other than FP my band reviews are based on what I heard and the times I got up to take a peek at the pit.

Mongos sounded heavy as hell, they're a lot less goofy lately, I guess there's a lot of inter-band beefing going on. It's working for them.

Mother Of Mercy was also heavy as hell, a little bit of the rock riff thing going on. I thought they were opening with Forget This Time, but it was just a sound alike riff.

Bad Seed took Porter's advice and upped to two guitars, and it was a good move, as they were the heaviest of the openers. Porter kept talking about them being ignorant between FP songs, and he wasn't kidding. Total dick head mosh music. In a good way.

FP went on around 9, they cut a couple songs, but I think they still may have gone a little past the 9:30 cut off but it was apparently no problem.

Set list:
My Path/Intro/Changes
Washed Up At 18
Not For Me/Shottsie
Keep It Clear
The Answer
Persevere
Always
No Exceptions
Let It Ride
Last Warning (AF)
Gonna Get Yours

Everything sounded good, and it was pretty nuts, but not ridiculously nuts the way Mark Porter's Floor Punch was at Planet Mental. NJ Shore kids were in full effect. Brett Real lost one of his shoes so he moshed bare foot. Porter spent most of the time between songs talking about how ignorant Bad Seed is. I am psyched to say that there was a TON of stage moshing, and none of it sucked, probably because it was almost all from Brett and the Shore kids.

Pics here:
http://www.flickr.com/photos/futurebreed/sets/72157621697335174/
Video here:
http://www.vimeo.com/5670860
and here (better angle, better footage):
http://hate5six.com/player.php?album=111747#

Stopped at Sheetz after the show for a nice cookie dough milk shake, chicken fingers, and fries. Shore crew showed up being noisy as all hell, and I got to watch the steam rising from the fat woman cashiers ears as she watched them and griped about wanting to tell them to shut up (she never did). Back in Brooklyn around 2:30am, was home in bed by 3. All in all, a good day, well worth the trip.

FP Merch:



Tank tops were red with the Raw Deal rip off design. Shorts iirc had the FP guy on them, but honestly I'm completely over mesh band shorts so I didn't pay much attention to them. They also had the FP guy shirt in bright green.

Good times.

Saturday, March 7, 2009

Have Heart/The Rival Mob in NJ: a review. Sort of.

Originally posted 3-1-09 on the LOC board.
Decided to go down to this because the Mob is one of my fave nu scene bands. Couldn't leave until 7pm because Meredith wanted to come, but decided to go to the Outlet malls with her parents first. Figured it would be ok cuz the B9 said the Mob was playing 3rd. Got a text from Greg Mongo right as I was getting on the GWB telling me Rival Mob was going on... whoops. Since we were going to miss them anyway we took a Starbucks break at a rest stop. Grande white chocolate mocha... delicious.

Got to the show, looked pretty packed, but I had missed the Mob so I didn't bother going in. Porter was psyched on their Outburst cover. Stood outside with Zusi and Cooper and talked about disability checks and old man things, went in between bands to say hi to dudes (shoot outz to Porter, DFJ, BRad, Gil, Hoodrack, Foster, Brett Real, and Rifkin... looked for Pearse everywhere but never saw him) and get my Rival Mob 7 inch from Gil, then me and Meredith took Doug Free to Wawa. Cooper insisted there were no Wawa's near the show, but he was wrong (there were two of them 15 minutes up the road).

I had a cappucino milkshake, a cheesesteak, and chicken fingers. I selected regular thickness for the shake, as the extra thick setting always makes them too thick to get through a straw. The cheesesteak was great (extra meat, salt, pepper, lettuce, tomato, lil mayo), the chicken fingers were just meh this time. Kind of cold. I was not given any dipping sauce either, not cool. Doug got ketchup fries, they reeked.

Brought Doug back to the show right as Have Heart was finishing up. Hung out a bit then went back to New Roc and played the new Street Fighter at my friend Rui's house until 3 o'clock in the morning.

Good gig. Videos here:
Rival Mob
Great Hoodrack stage mosh @ 10:53.
Alternate angle of Rival Mob.

Bad Seed
Didn't know this was Rifkin's band. Pretty good, I dig the drum stuff going on in the first song, would like to hear an actual recording (I can't make myspace songs work using my wireless connection for some reason).
Better angle of Bad Seed, more mosh footage.
*-Not my tattoo.

Who Watches the Watchmen? I do.

Originally posted 3-6-09 on the B9board.
THERE WILL BE SPOILERS IN THIS FOR BOTH COMIC AND FILM. If you don't want to deal with that just yet, you should go peep this instead, then come back when you're ready:
Who watches the Watchmen? I do.
What do you mean that joke's already been used this week?


I'm not a member of the "Watchmen is unfilmable" camp, and I'm not a Moore purist by any means, but I was still worried whether or not this would work. Especially as the WB hype machine kicked into overdrive and we got inundated with out of contexts clips that made it look cheesy and superficial as all hell. So to say I was happy to have come out of the theatre feeling that all the worrying was for naught is an understatement.

Let's get the dry textbook stuff out of the way first: yes, the movie does aspire to the multiple subtexts and themes of the comic. No, I don't think most people are going to get that right away. In particular, I think those familiar with the comic will have the toughest time acknowledging that the themes are there, due to the fact that the character driven themes are intrinsic. So to someone who already gets why Dan is impotent and who already knows how Rorschach's mommy issues helped shape his world view and who already understands Dr Manhattan's alienation, it may feel like they didn't try to put those themes across. But they did, in part because you can't put those characters up on the screen, have them follow the same plot points they do in the comic, and not have those themes show up. No, it's not as thorough an exploration as the comic (and in the cases of Silk Spectre and Ozymandias, not explored at all- I assume the directors cut will rectify some of this, at the very least for Laurie), but it's there. Watchmen readers are just are used to it at this point, and I think many of the critics missed it because they've already seen it riffed on so many times themselves; The Incredibles in particular strip mined Watchmen for all that it could.

But what about the not so obvious themes? Moore has said that Watchmen was a shot at the leadership and politics of the time (Reagan, America feeling invincible, etc); Snyder's Watchmen is a month late to take that kind of shot (tho the scenes with Nixon hint in that direction), but the changes to the ending allow him to take a shot of a different kind: at the businessmen who allow us to suffer while they reap in profit. They make a direct connection between the energy crisis in the world and the big businesses hoping to profit from it, and later on when Ozy has all his tv screens on, what should be playing on one but The Road Warrior, the post apocalyptic Mad Max movie where the most valuable commodity is fuel (which in turn also provides a wink wink towards the fans who know where Moore got the idea for Rorschach's punishment for the child killer in the comic).

The superhero deconstruction of the comic has also been replicated. Some of that is intrinsic, as I said before, and to a lesser degree it has also been applied to the superhero film. I was skeptical when Snyder said that they were attempting to make that kind of effort, but thinking about it afterward, I can see how they did. Comic book superhero movies have always had cartoon violence. Watchmen's violence is over the top, but it is far from cartoonish; instead it is squirm inducing. There is the obvious point of Ozymandias' costume having nipples. And then there is the soundtrack...

A lot has been made of the soundtrack choices. If Snyder is in fact putting some of his efforts toward deconstructing or poking at the traditions of superhero movies, I can't help but feel like the soundtrack choices was part of that. After all, most mainstream superhero fodder stock up on leftover tracks from currently popular artists, and stick them into the movie at inopportune moments. Is this the case? I don't know. What I do know is that, for me, the music worked 90% of the time. There were 2 jarring exceptions. The most obvious, and the one everyone has seemed to mention, was Hallelujah during the sex scene. It was just too, too obvious (oh the costume helped him get it up YAY sex!), and helped push an already awkward scene over into Skinemax camp. I understand why Snyder made the choice to basically put a full on softcore fucking in the movie (the comic after all completely pushed the boundaries of sex and violence in a mainstream comic at the time, and we've never seen any sort of grown up sex scene in a superhero movie), but in a movie pressed for time it was just excessive and tonally off. The second was the use of Sounds of Silence at the Comedians funeral. This wasn't a bad choice, it was just from out of left field and created too jarring of a transition. I almost thought the use of 99 Luftballoons didn't fit, but the way the scene ended it ended up fitting, and actually created a surprisingly sweet moment.


Dan and Laurie could have used more of those moments, because they were the weak link. Not so much Patrick Wilson, I think he did a good job of playing a defeated schlub trying to convince himself he's happy in boredom, and he looked the role (despite what diehards would have you believe, the comic Night Owl was NOT a great big fatty, he was clearly drawn as a once in shape guy who ended up with a beer gut). If anything, he gave perhaps TOO understated a performance when compared to Jackie Earle Haley or Jeffrey Dean Morgan. But there was no chemistry between the two (other than the 99 Luftballoons moment), and Malin Ackerman never rose above the level of an afternoon soap opera (I'm disappointed to say Carla Gugino did the same during her old age segments, except for a brief moment at the end that I won't spoil). This is the only case in the movie where I'd say they should have cast someone else. She looked the part, but she doesn't have the acting chops to pull it off, and quite frankly I wanted Laurie to be bitchier.

Laurie is one of the characters who got short shrift with the backstory- the beats are there, but it isn't examined to the lengths of Rorschach, Comedian, and Dr Manhattan. Ozymandias gets the same short end of the stick, but at least Matthew Goode's acting was good enough to carry the character. No, he was not Moore's Ozymandias- this was not a Robert Redford alpha male, more a slimy intellectual priss. Which Goode pulled off to a T. He's still one of the weak links in the cast, and I can't say it's how I wanted to see Ozymandias depicted, but it worked. One thing I found interesting about the performance was the disappearing/reappearing wisp of a German accent. At first I thought this was just bad acting, but then I noticed that it seemed to only appear in scenes with the other heroes- when he was doing business it seemed to vanish completely. It could be bad acting, it could be my imagination, or it could be a very interesting subtext/character choice. And for the record, the costume looks 1000x better on screen then in the publicity shots.

The design is really where the movie shines above all else. Watchmen had to be read multiple times not only to get all it's subplots and themes, but to examine the symbolism and depth of the world created by Gibbons. While there's no Fearful Symmetry style moment in the movie, the designers went above and beyond in creating a world that matched up to the depth of the one drawn by Gibbons. This movie bears watching again and again just to try and pick out all the little details in costume and set dressing, from the original Minutemen outfits looking straight from the Batman tv show to the psychiatrist's hat to the Gunga Diner balloons to the graffiti to the images on Ozy's tv... there is literally TONS to pick out and ogle and argue over what's intended as symbolism and what's just there because it makes things look incredible. And yes, the Galle crater makes an appearance.

Ok, now let's get to the things everyone has already been going on about. Rorschach OWNS this movie. Jackie Earle Haley NAILS it. Just nails it. The only character who got multiple moments of applause, yet they STILL made sure to make it clear he was a complete misogynist psychopath. Yes, some of the character's origin hit the cutting room floor, there was no explanation of the mask or how the story of Kitty Genovese led him to become a crime fighter. But his childhood was there, and the child killer scene was there, albeit changed to avoid similarities to Saw/Mad Max (I stand by my statement that it has more to do with Saw than Mad Max, which is 30 years old now- Moore ripping it off 20 years ago really doesn't matter at this point). It almost doesn't work, but even underneath the mask Haley drives home the emotional turning point.

The Comedian is also perfectly done. If anything, he's underplayed compared to how I imagined him. Still a total bastard, and lacking some of the sympathetic tones from the comic, but somehow more likable. Definitely second only to Rorschach in terms of the quality of the acting.

As for Dr Manhattan and his penis... get over it. If you can't handle a penis in an R rated movie that despite it's superhero trappings is attempting to explore mature themes, you probably shouldn't be watching Watchmen in the first place. Especially when the point of the character is that he's drifted beyond human mores, which means he wouldn't give a shit about clothes. The movie translated the character perfectly, with the Dr Manhattan origin aptly demonstrating how he exists in all times at once and has lost touch with the world. The special effects take a little bit of getting used to- for some reason the way he hold his hand out especially looks fake- but the way you can sort of see cosmos swirling behind his eyes and the little particles floating around him combine with the FX to make for a disconcerting effect that seems highly appropriate.

Some of the early Rorschach mask designs were a little much.

As far as direction goes... Snyder is not an actor's director. Clearly. Fortunately, despite the previously noted exceptions, the cast is full not only of good actors who don't need the hand holding Ackerman appears to need, but extras who just LOOK fascinating. Even if I hadn't read the book, I still would be curious about Hollis, and the newsman and the kid with the comic, and the psychiatrist, because they just capture the eye. I really look forward to seeing the news stand scenes play out on the extended cut (yes, they're in there, along with Hollis' death, and I would hope a clearer back story for Laurie and Ozy). Snyder's strength lies in his visuals, which are stunning. The opening credit sequence is everything it was hyped up to be, and you can tell Snyder was more comfortable/less concerned with alienating the fan boys with that segment than anything else.

Yes, the movie is loyal, perhaps too loyal. Yes, they changed the ending, perhaps for the better. Yes, it has a 3 hour running time. These things have been beaten into the ground by now and I see no reason to do so again. Suffice to say, I was absolutely fine with all three, in fact I felt the time went by almost too quickly. What I did have a problem with was the sudden shift in pace towards the end, where instead of letting the scenes play out as it had previously, we started jumping back and forth between Mars and Antarctica. The movie had been playing with time in the previous 2 hours, there was no reason it couldn't have done so again, allowing the Mars segment to play out, then Antarctica, and then continuing from there to Dr Manhattan confronting Ozy in Antarctica. There was a very comfortable, not too fast, not too slow pace up until that point, and it was a shame to see it go in favor of more standard mainstream superhero movie beats.

And of course, since we're talking pacing, I guess I'll have to speak of the dreaded Snyder Slow-Mo... it's not that bad. In fact, I barely noticed most of it. All together there was probably at the MOST 10 minutes of slow mo in the whole movie, and most of it was in brief spots during action sequences, where it would slow down for a second enough for you to admire the composition of the image (much like being able to admire the composition of a comic book panel), then speed back up again into a normal paced fight scene. The fight between Ozy and Nite Owl/Rorschach especially kept the slow-mo to a minimum.

Yes, the movie expanded on the fight scenes. I was able to get past the fact that they all appeared to have super strength and chalk that up to them all having trained to be the very best fighters around, but the Dan/Laurie vs Knot Top scene was completely overplayed. You had Dan breaking bones and Laurie stab a guy in the neck and then use him as a human shield. This is Silk Spectre and Nite Owl, not Rorschach and Comedian. These are two of the ones that DON'T deliberately kill or maim, and this absurdity was compounded by them not using the same over the top violence in the prison riot. I know what Snyder was driving at, and yes they made it clear that the violence turned them on, but it just didn't work for me.


I'm going to wrap this up, because I pretty much wrote an essay for no reason, but the long and short of it is, I'm REALLY satisfied. Definite A for the effort at creating a film version that had depth (your mileage may vary on how much depth you think it actually had), A+ for the design team, and an B+ for the execution due to some slight missteps in tone and some mediocre acting choices. Which averages out to an A-. Will definitely go see again.

Saturday, January 24, 2009

Mark Porter's Sick People: a review.

Originally posted 1-18-09 on the LOC board.
For some reason my GPS had me jump off 95 and go down Fordham Rd to get on the GWB, which if there had traffic would have made sense but I don't think there was any traffic. I still probably could have made it there in under an hour, but I pulled a BTrust and stopped for Starbucks, and it was so busy there that it added a half hour to the trip.

That place was fucking PACKED. Apparently a lot of mall core kids came to see some band Ligeia that was headlining? Got there at 8:30 and to have G-Dogg come out to the parking lot to back me out because people had parked an extra 2 cars deep at the ends of all the lanes. Ended up parking on the walkway leading from the handicapped spaces to the building next door.

Went in, could not move. War Hungry was finishing a song, then covered Underground by LOA and some dude with a bandanna and work boots went insane; grabbing at Hoodrack, flipping off Alex, punching the stage, shoving kids in sweaters... no idea WHO that dude was but he's a great mosher. Set was followed by what seemed like 45 minutes of non-starting pit beef.

Between bands Rifkin got rib sauce on his Rampage shirt.

Mongos played, lots of retarded kids went retarded (good retardeds, not bad retardeds), sounded good. It's weird, the part kids seem to go the absolute craziest for is in that song Alive And Well, when that kid Cleary sings instead of Greg. Didn't want to be in that sweltering firetrap, so I hung out in the stairs/kitchen and watched the fire marshal sniff around for excuses to shut the gig down. Def saw a girl crowded in one of the doorways who didn't have her plugs in... her ears looked like flesh colored melted tire jump ropes, blech. Someone tell me why that is still considered an acceptable alternative style, because unless you have Nbugu the African Witch Doctor who came to my high school and spoke at an assembly about diversity in the 10th grade at some branch of your family tree, it isn't. Cops came, they dipped their beaks in some cds, made every non-band person leave (or maybe they wanted everybody to leave, I dunno, we didn't leave), then let in the maximum capacity. I suggested just kicking out all the kids who didn't like Breakdown, but it my advice was not taken. So it went from a jam packed room to about a 3/4 full room, which was still plenty to dive on.

Line up for MPSP was Porter, Zev, Mike Schweigert (www.mikeschweigerttattooer.com), and Brian Gorsegner.
Set list was:

It's The Limit.
Porter gave a speech about playing As One after Raybeez died (BTSJ1). The band then went into...
We Gotta Know (w. Dave Murphy on vocals. Unlike Invasion's Posi Numbers set when he dropped the mic and sang Discriminate Me into the air, he managed to sing the whole song into the mic, but he only sang the first verse correctly- I'm not judging, mind you*).
As One.
Vengeance.
Sick People (w. Dave on vocals again. Dude was really psyched about the whole thing, we both agreed that more bands should start up that don't write any songs and only play covers of good songs).
Fed Up.
Hard Times. Something came unplugged between "Skin Head" and "Break Out", so they started the song over from "Skin Head" (I myself was saying "Floor Punch... Straight Edge... Break Out, as is appropriate when Porter is singing Hard Times).
Backtrack (Woj went off super hard).
(If you don't know who wrote those songs, why are you reading my blog?)
Lots of Superman dives onto unsuspecting spectators from behind the PA on the side of the stage, and some good pitting. I think Zev's brother was pitting, and I know Alex risked ripping his Steelers crewneck out on the floor for awhile. Hoodrack and Rifkin were losing their shit, obviously. Set def made the trip to NJ worthwhile.

Drugs Suck is the best Edge band name I have heard in a long time. I wish it would be a real band. Alas, it is trademark and copyright to someone else.

Derek Scace and the Cold World's were next. Despite my best efforts, Scace would not pull a BTrust and play with his shirt off to show off his chiseled masculine features for the teenage girls. Dude looks good, feels solid, would not be surprised if he can out lift me were I healthy.

CW's set was good; lots of stage divers appeared to land face first on the floor, lots of sloppy mosh. Some kid I don't know sang one of the songs I don't know the name of off the new record, he appeared to be doing the Mandingo Stomp in super slow motion, it was kind of awesome. Alex's brother has a good mosh, goes off like he's Joey C during an RJ's set. I think there was a pit beef in the back of the room, may have involved Geoff TDT, not sure tho. Woj wanted something to hold the bass drum in place midset, Porter gave him this tiny little piece of wood that was sitting on the amps.

I got the fuck out of dodge before that Ligeia band played. Apparently, so did the rest of the show. The parking lot had like 10 cars left in it when I went out there. So I guess all those mall core kids went home when the cops had everyone go outside (even tho they all got to come back in when the cops left)? Or maybe the drawing power of Ligeia was greatly exaggerated.

Made it home in under an hour. No traffic at all, not even at the GWB. I call that a good night.

* zinger of the night:
Rifkin- "I heard you're singing a Breakdown cover tonight."
Me- "I am?"
Rifkin- "Yeah, but you're only singing 2 lines."
(If explanation is required... at the Floorpunch reunion, Porter handed me the mic to sing Safe In A Crowd. I sang approximately 2 lines.)

Videos may be found here:
http://www.hate5six.com/player.php?album=58242
Picture courtesy of http://www.flickr.com/photos/ridethefury/

Morgado revue of books issue 1 volume 1.

Originally posted 10-30-05 on the LOC board.
So I went to the Border's across the street from my work, just to kill a little time. And I'm looking around the Modern US History section, cuz I'm deep, and I find this book about growing up in Southie ("Easter Rising: An Irish American Coming Up from Under" by Michael Patrick MacDonald).The cover blurb mentions how part of the book is about the author being into punk, so I flip thru a little bit and in the pictures I see this:

So my interest is piqued quite a bit at this time, and so I sit my ass down in one of Border's comfy leather chairs and start skimming. The punk stuff is really kind of few and far between, and by the time the Boston crew goes into full swing the dude is on his way to being post-core and above it all (he didn't get why suburban kids were content to be angry, why they all shaved their heads, why they labelled themselves "straight edgers" even tho he says he was too just without the label, etc.), but his adventures include:

Being snuck into the Rat by his townie brother, who bounced there, and having to hide behind the dumpsters until his brother was alone because his brother didn't want to be caught with the freak and he didn't want to be caught with the jock bouncer.

Hiding in the rafters of the Channel to see shows he was too young to get into, and then one night falling through the ceiling into the womens rest room because so many people had started hiding up there.

Sneaking into a Siouxie and the Banshees show with Springa (who was dressed up in the standard Siouxie fan goth vampire outfit), accidently ending up on the stage right in the middle of Siouxie's set, and Springa stagediving off and turning the place into a mosh pit and completely bumming out the band.

And my favourite...

Going to NYC with SSD and Choke to see Bad Brains, and him realizing he had met Choke a few years before at a New Wave party where Choke had "green poodle hair" and won a B52's record, which he then lamented winning because he already owned it.

Chew on that thought for awhile. Choke with green poodle hair and 2 B52s records.

Sweet dreams.